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Which, as he breathed defiance to my ears. , Stephen Orgel describes Franco Zeffirelli's 1968 Romeo and Juliet as being "full of beautiful young people, and the camera and the lush technicolour make the most of their sexual energy and good looks". Capulet! Yet I should kill thee with much cherishing. Day, night, hour, tide, time, work, play, Alone, in company, still my care hath been, To have her match'd: and having now provided. hast thou not a word of joy? The quarrel is between our masters and us their men. Later in the play, Shakespeare removes the more daring allusions to Christ's resurrection in the tomb he found in his source work: Brooke's Romeus and Juliet. Most of Romeo and Juliet is, however, written in blank verse, and much of it in strict iambic pentameter, with less rhythmic variation than in most of Shakespeare's later plays.
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'Signior Martino and his wife and daughters County Anselme and his beauteous sisters the lady, widow of Vitravio Signior Placentio and his lovely, nieces Mercutio and his brother Valentine mine, uncle Capulet, his wife and daughters my fair niece, Rosaline Livia Signior Valentio and his cousin, Tybalt, Lucio and the lively Helena.' Stay, then I'll go alone. Well, he may chance to do some good on her: See where she comes from shrift with merry look. Banish'd the new-made bridegroom from the city.
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She, I'll swear, hath corns am I come near ye now? How much salt water thrown away in waste. West Side Story may not be written in iambic pentameter, but its passion and sincerity get to the heart of Romeo and Juliet better than anything else.You have found him than he was when you sought him: I am the youngest of that name, for fault of a worse. While nobody speaks a word of Shakespeare, the movie’s got the next best thing in Stephen Sondheim, who got one of his first major gigs writing the lyrics to Leonard Bernstein’s songs, and while the young lovers are both sufficiently charming, it’s George Chakiris’ Bernardo (the Tybalt character) and Rita Moreno’s Anita (the Nurse) who steal the show in Oscar-winning performances buoyed by some killer dancing. Fair Verona becomes Manhattan in the 1950s, where rival gangs the Jets and the Sharks are embroiled in a bitter turf war, and former Jet Tony (Richard Beymer) romances the Sharks’ leader’s sister Maria (Natalie Wood) from the bottom of a fire escape. It speaks to the brilliance of Shakespeare that when we reimagine his plays in strange new places, they work all the better - and it speaks to the perfection of Robert Wise and Jerome Robbins’ West Side Story that it beat out all these lush Renaissance retellings for the top spot among Romeo and Juliet movies.
TROMEO AND JULIET ENTIRE PLAY MOVIE
It’s not straight Shakespeare, but it’s probably the most affectionate movie on this list - with a perfectly sad, sweet, non-double-suicide ending. The script by Marc Norman and Tom Stoppard, the latter of whom had previously reimagined Shakespeare with Rosencrantz and Guildenstern Are Dead, cleverly works in countless references to and devices from Shakespeare’s plays, and incorporates much of the original text of Romeo and Juliet through the actors’ rehearsals, which is performed as well as it is in any full-blown adaptation. When William Shakespeare (Joseph Fiennes) has terrible writer’s block and owes his theater a play, he finds his muse in the beautiful Viola de Lesseps (Gwyneth Paltrow), a noblewoman who dreams of being onstage. John Madden’s swoonily romantic Shakespeare in Love dramatizes the writing of Romeo and Juliet rather than adapting the play itself, but intertwines the two narratives so deftly, we consider it an adaptation in its own right - and a wonderfully witty and original one at that.